In their directorial debut The Way, Way Back, Nat Faxon and Jim Rash heed the siren song of the amusement park. In their original screenplay, the Oscar-winning writers of the adapted screenplay for 2011's The Descendants infuse a modern setting with this distinct Gen X nostalgia. At times, this creates an uneven tone, particularly when references are made to songs or movies released before the lead character was born. But this disconnection between time and place is only a slight glitch in this sharp yet wistful character-driven comedy. Read my review here.