More a naïve, overly earnest sermon on freedom than anti-Israeli propaganda, director Julian Schnabel's latest film relies on distracting camera tricks to cover up Rula Jebreal's callow script, which is replete with an unfocused narrative and absurd political aphorisms. Ambitious in its desire to cover events from 1947 to the early 1990s in Jerusalem, Miral lacks proper details to keep the narrative grounded and give its simplified ideas weight.
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